Poetry

Thousand Languages Issue 2

Hayden's Ferry Review

French Postales

Alberto Ríos

That darkness of night,
We think about it.

When we think about it,
Night becomes anything:

The opening a man gives of his coat
Somewhere, someplace foreign—

Which is to say, it can’t happen here—
As he tries to show us French postcards,

The curious man keeping his coat
A little to himself and a little to us.

He needs a darkness for his work,
For his place in the world.

But what he shows us in there, in the pockets,
In the recesses of fabric in his coat,

In his night: the stars,
They are the French postcards

And they are just what we think—
Nudes upon nudes,

Which is to say, nothing
But nudity, and nudity

Inside there is everything. Nothing but body,
Bones, skin. But on fire.

Marrow lit up
At the end of a bone

Grasped as a torch.
Did you think I had not meant

Men as well?
They hang in some order, these cards,

An order we recognize,
Two upon one, four upon two,

A family tree
Of desires and of dares.

In the darkness of his coat there is nudity,
But the darkness last only a moment,

Until our eyes adjust. Then
The nakedness lights everything up.

The light moves from the inside of his coat
To inside us, somehow: it is a magnetism

Between light and dark, a full balance,
The way water fills a crevice.

In his darkness, his stars,
We think about them. The stars in the sky:

Who could have supposed they were fruit
Like they are, the other stars,

Fruit up in the sky, in the night,
The pears and the apples, persimmons.

This is the fruit that does not fall,
The fruit we think we never see

But which is the harvest
That comes from looking up, looking

But not looking at the sky. The way
It hypnotizes us into just thinking.

All of this is not difficult to see.
It is the empty, clean space

On a dinner plate, the place
Where apples have been, the place

Where nectarines will be,
And summer oranges and wild berries.

They are appetite, magnetic cousin to desire.
Fruit, as substantial as it feels

In the mouth,
It is just metaphor.

The postcards the man shows us,
Well, it’s nothing we haven’t seen

Somewhere in the night, in the sky,
In the stars, the millionfold stars

Which come down to be our dinner plates,
To hold for us everything we put on them.

法国明信片

Zhongxing Zeng

Translator's Note

那夜之黑暗,
于我们的游思中弥漫。

在沉思之际,
夜幻化出千姿百态

男士打开外套的一边
某处,异国他乡—

也就是说,在此地不可能发生—
当他试图向我们展示法国明信片,

奇特的男士把外套
挪向自己一点又挪向我们一点。

他需一片黑暗成全其作品,
成全他在世间的一席之地。

可他给我们展示的个中妙趣,在口袋里,
在他外套布料的角落里,

在他的夜里:星辰点点,
它们就是法国明信片

它们也正如我们所料—
裸露的形体比比皆是,

也就是说,别无他物
除了裸体,还是裸体

一切蕴含其中。只有身体,
骨头,皮肤。却在燃烧。

点燃的骨髓
在骨头的末端

如火炬般被握紧。
你觉得我没有意指

男人也如此?
它们按序排列着,这些卡片,

一个我们熟识的顺序,
一分为二,二分为四,

一张家谱
交织着欲望与挑战。

在他外套的黑暗中是裸体,
可这黑暗只存片刻,

直到我们的眼睛习以为常。之后
这片裸露照亮一切。

这光芒离开他外套的内侧
进入我们的内里,莫名其妙:极致的吸引

明暗之间,完美平衡,
如同流水填满了裂缝。

在他的黑暗里,他的点点星辰,
充盈我们的思绪。空中的繁星:

谁能想到他们曾是水果
像他们这般,其他的星辰,

在天上结果,在夜里,
梨和苹果,还有柿子。

这是那永不掉落之果,
这水果我们见所未见

可这是丰收之景
景致来自仰望,放眼望去

却不是望向天空。催眠之术
让我们陷入沉思。

这一切并不难察觉。
此处洁净而空空如也

在一个主餐餐盘之上,这里
曾摆有苹果,这里

将放上油桃,
还有夏季的橙子和野莓。

他们是食欲,欲望般的吸引。
水果,实实在在的感觉

唇齿之间,
隐喻而已。

男士给我们展示的明信片,
嗯,对我们来说并不新奇

在夜的某处,在天上,
在繁星中,万里星河

落下化作我们主餐的餐盘,
为我们盛放所有搁置之物。

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